Kaya Genç, a European Press Prize laureate, is the author of four books: The Lion and the Nightingale (I.B. Tauris, 2019), Under the Shadow (I.B. Tauris, 2016), An Istanbul Anthology (American University in Cairo Press, 2015) and Macera (YKY, 2008). The Economist called Under the Shadow a ‘refreshingly balanced’ book whose author, ‘a cartographer of the battlefield,’ ‘has announced himself as a voice to be listened to’; Publishers Weekly said it ‘represents both investigative and literary journalism at their finest’. The Los Angeles Review of Books described An Istanbul Anthology as ‘a compellingly real picture of the city’. The Times Literary Supplement praised the way The Lion and the Nightingale ‘grounds Turkish current affairs in the context of the past couple of decades and explains the attraction of extreme politics to the country’s youth’. Kaya has contributed to the world’s leading journals and newspapers, including two front page stories in The New York Times, cover stories in The New York Review of Books, Foreign Affairs and The Times Literary Supplement, and essays and articles in The New Yorker, The Nation, The Paris Review, The Guardian, The Financial Times, The New Statesman, The Lancet, The New Republic, Time, Newsweek, and The London Review of Books. The Atlantic picked Kaya’s writings for the magazine’s ‘best works of journalism in 2014’ list. A critic for Artforum and Art in America, and a contributing editor at Index on Censorship, Kaya is the Istanbul correspondent of Los Angeles Review of Books. He gave lectures at venues including SOAS and the Royal Anthropological Institute, and appeared live on flagship programmes including the Leonard Lopate Show on WNYC and BBC’s Start the Week. Kaya has been a speaker at Edinburgh, Jaipur and Ways With Words book festivals, and he holds a Ph.D. in English Literature. According to The Village Voice few books of analysis published about contemporary Turkey come close to Kaya’s work ‘for sheer humanism and breadth of perspective’; Journal of Contemporary European Studies called him ‘a juggler of paradoxes, an assailer of conventional wisdoms and a challenger of foolish optimism’; and The Millions wrote: ‘Genç is arguably the most important Turkish writer writing in English still living in Turkey.’